A decade which started with Rolf Harris at number one with "Two Little Boys" and finished with Pink Floyd's "Another brick in the wall" at number one, this was a decade of change. From "Glam Rock" to "Disco" to "Punk" this was a fast-moving ever-eventful ten years.
Being a teenager in that decade brought
many difficult choices; did you keep loyal to "Blue Peter" and John
Noakes, Peter Purvis and the homely Valerie Singleton or desert to
"Magpie" for the only reason of Jenny Hanley? Singles compilations also
threw you into despair; did you spend your pocket money on the latest
Ronco or K-Tel 33rpm? decisions, decisions. After reading "Look-In"
magazine, you watched 'Top of the Pops' (falling madly in love with
Suzi Quatro, Debbie Harry and Agnetha of Abba) while eating a Cadbury
Curly-whirly, which was soon to be relegated for the manly Yorkie Bar.
During the 70's, bands seemed to enjoy themselves more, Slade, Mud and Wizzard
always appeared to enjoy what they were doing, unlike today's seemingly
miserable millionaire "Boy Bands". Had we lived in the PC-Age we live
in now, then Chuck Berry's number one in 1972, "My-Ding-a-Ling" would
no doubt have been banned, long before it had seen the light of the
October day it was released.
It was also a time when in the school playground we all wanted to be "The
Leader of the gang, I am". Sadly if we only knew then what we know now,
then thousands of posters would have been ripped off the wall. Now we
have downloads and iPods, in the seventies we had a choice of cassettes
or cartridges, cartridges like Betamax videos quickly dieing a death.
Saturday mornings always brought a trip to Leeds city centre and a visit to
Debenhams, the reason, a look through their box of ex-chart 45's at 5p
each or 5 for 20p, I bought such classics as Slade's "Merry Christmas
Everybody" on a sunny April day and, possibly, now a rare "45", of
Yorkshire show-jumper Harvey Smith singing "True Love". The record
labels at the time included a picture of a sailing ship on the RAK
(Suzi Quatro ) label, while other labels of the time were, Magnet
(Alvin Stardust), Epic (ABBA), Bell (Gary Glitter), Chrysalis
(Blondie), Vertigo (Thin Lizzy) and Harvest (Pink Floyd).
The Radio One top forty gave us the chance to test the dexterity of our
fingers as we compiled our own favourite chart compilation cassette,
without having any inane comment from the host of the time. Were the
seventies a happy, unique and innovative decade, or am I looking at the
ten years through rose-tinted wire NHS spectacles?