There has been a surge in the
last couple of years in angsty, mouthy female singer-songwriters, and the very
swift success of artists such as Kate Nash, Adele and Duffy (this just
in the last few months) leads one to believe that the trend sees no sign of
diminishing just yet.
But do we really need another semi-acoustic female
singer-songwriter? The answer, in the case of Wallis Bird, is yes.
The Irish singer has already
achieved some success with the release of her EP The Moodsets and debut album Spoons,
and in March she releases new single ‘Counting to Sleep’, a quirky, clever
portrayal of two joyriders falling in love over shared insomniac driven nights.
The song has a strong melody, led
by Bird’s carefree, unconventional strumming, and goes from angry to sparkly
and buoyant in the transition from verse to chorus, subtly reflecting the
moodiness found in many a young female – the song is natural, real and honest.
There is soulfulness and intensity in Bird’s voice that sets her apart from
other female singer-songwriters, yet the song is energetic, radio-friendly, and
one of those rare tracks that’s guaranteed to appeal to pretty much
everybody.
The b-side sees Bird cover The Feeling’s ‘Sewn’. A gorgeous, tuneful number anyway, Bird somehow makes it
powerfully raw, stripping back the instrumentation used on the original and
replacing it instead with vocal harmonies, in the shape of haunting ‘ooh’s and
aah’s’. Her voice is at times is so delicate it goes right under
the skin – from the soulfulness of Winehouse to the sweetness
of Laura Marling, and what’s more, it's effortless to
her.
While Counting To Sleep breaks no great boundaries,
Wallis Bird’s lyrics and original take on grunge folk set
her apart from the Sandi Thom’s of the world. Definitely one to watch.